Events

What is it like to be a Woman in STEMM? Gender bias, sexual harassment, and the myth of meritocracy

Summary

The Royal Society of Tasmania July lecture

Start Date

4th Jul 2017 8:00pm

End Date

4th Jul 2017 9:00pm

Venue

Royal Society Room, Tasmanian Museum and Art Gallery, Hobart. Enter from Dunn Place.

RSVP / Contact Information

No RSVP necessary. Enquiries: royal.society@tmag.tas.gov.au or 61657014

Women are underrepresented in science, technology, engineering, mathematics and medicine (STEMM) fields worldwide, particularly in leadership positions.  For instance, Australian women comprise more than half of science PhD graduates and early career researchers, but just 20% of senior academics in universities and research institutes. This lecture will explore the reasons why gender bias in STEMM matters by drawing on data from an ongoing sociological study focusing on the leadership experiences of 25 women in STEMM fields who were all participants in a three-week transformational leadership program in Antarctica in December 2016.  Key themes for discussion include women’s experiences of sexism and gender bias, sexual harassment and managing caring responsibilities.  This lecture will also explore why women in STEMM often internalise the problem of gender equity in STEMM and blame themselves for their challenging organisational experiences.

About the speaker:
Dr Meredith Nash is a Senior Lecturer in Sociology at the University of Tasmania.  Her research explores the depth and enduring character of gender-based inequalities of position and power.  For the last 10 years, her research has engaged specifically with four key sites where gender inequality persists including: reproduction and parenting, organizational culture, media, and leisure/sport.  She is the author of Making postmodern mothers: Pregnant embodiment, baby bumps, and body image (2012) and the editor of Reframing reproduction: Conceiving gendered experiences (2014).  Her new co-edited book Reading Girls: Postfeminism, feminism, authenticity and gendered performance in contemporary television was published this month by Palgrave.

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