Events

Catherine Phillips: Affect and the Anthropocene

Summary

The Art Artefact and Ecological Grief

Start Date

11th Dec 2018 5:30pm

End Date

11th Dec 2018 7:00pm

Venue

Academy Gallery, Inveresk campus, Launceston

RSVP / Contact Information

No RSVP required. E. SOCA.Inveresk@utas.edu.au; T. 6324 4400


Image credit: Catherine Phillips, Uncharted Territory Series (detail) 2018

Exhibition opening: 5.30 – 7.00pm Tuesday 11 December, 2018

The Anthropocene epoch, although as yet not officially ratified, is widely understood to mark an era in which human actions have significantly impacted the planet. It proclaims ‘a new cultural and physical space that has not previously been experienced’ (Robin & Muir 2015) and as such requires a rapid paradigm shift.

The project Affect and the Anthropocene: The Art Artefact and Ecological Grief addresses some of the questions emerging from these new spaces with particular focus on climate change induced experiences of ‘ecological grief’ (Cunsolo & Ellis 2018, p.275) and ‘solastalgia’ (Albrecht et al. 2007, p. S95).  

The project actively engages with process as a significant metaphor, drawing on forms of material agency, considering the impact of human intervention and its limits, the entangled state of human, nature and object and the juxtaposition of human culpability and vulnerability in this contested era. Visually these qualities are evoked through landscape-oriented paintings and sculptures which draw on personal imaginings and real-life events to undermine the narrative of human control and express a sense of turmoil. precarity, dystopian futures, futility and loss.

Material processes utilised in the research suggest ideas of threat and uncertainty, the competing narratives of control and agency, and explore a psychological and a speculative biological re-ordering of the relationship between humans and nature in response to momentous threat.

The question as to the role the art artefact and the process of its creation plays in expressing emotion and acknowledging, legitimising and making sense of human fears of powerlessness and futility in an era characterised by slow violence, uncertainty and loss of control is addressed visually and theoretically through this research.


School of Creative Arts
Academy of Arts, Inveresk, Launceston
University of Tasmania